Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
Generous philanthropic support from Alan and Caroline Howard
Music
(completed by Franco Alfano)
Giacomo Puccini
Libretto
after Carlo Gozzi
Giuseppe Adami, Renato Simoni
Conductor
Rafael Payare
Director
Andrei Șerban
Revival Director
Jack Furness
Designer
Sally Jacobs
Lighting designer
F. Mitchell Dana
Choreographer
Kate Flatt
Choreologist
Tatiana Novaes Coelho
Princess Turandot
Sondra Radvanovsky
Calaf
SeokJong Baek
Liù
Anna Princeva
Timur
Adam Palka
Ping
Hansung Yoo
Pang
Aled Hall
Pong
Michael Gibson
Emperor Altoum
Paul Hopwood
Mandarin
Ossian Huskinson
Soprano Solos
Marianne Cotterill, Tamsin Coombs
No Show
Actors
Cameron Ball, Rain de Rye Barrett, Aimee Dulake, Sarah Ekuhoho-Sharman, Richard Gittins, Keiko Hewitt-Teale, Jessie Jing, Jamal Lowe, Suleiman Suleiman, James Unsworth, Addis Williams
Dancers
Winnie Asawakanjanakit, Michael Barnes, Marie Chabert, Cristina Chinchilla, Natasha Chu, Sera Maehara, Tobias Richards, Belinda Roy, Trevor Schoonraad, Anna Smith, Jack Thomson, Sam Vaherlehto
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Sopranos
Jennifer Coleman, Janet Fairlie, Celeste Gattai, Shafali Jalota, Kathryn Jenkin, Bernadette Lord, Alison Rayner, Elizabeth Roberts, Juliet Schiemann, Rosalind Waters, Vanessa Woodfine
Mezzo-sopranos
Maria Brown, Tamsin Dalley, Siobhain Gibson, Maria Jones, Dervla Ramsay, Jennifer Westwood
Tenors
Robert Amon, Simon Biazeck, Philip Brown, Andrew Busher, Andrew Friedhoff, James Geer, James Scarlett
Basses
Jochem Van Ast, Gerard Delrez, Oliver Gibbs, Lawrence Gillians, Gabriel Gottlieb, Mark Campbell Griffiths, Gavin Horsley, Mark Saberton
Children
Cardinal Vaughn and Greycoat Schools
Music preparation
Richard Hetherington, Martin Fitzpatrick, Edward Reeve, Nicholas Ansdell-Evans, Erika Gundesen, David Sutton-Anderson
Assistant Director
Kirsty Tapp, Katie Kim Hackman
Language Coach
Alessandra Fasolo
Tai Chi Consultant
Wendie Hou
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance...
Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance: if one of them can answer correctly the three riddles which she asks him, he can marry her. If not, he must die.
Inside the walls of Peking, a crowd wait for the execution of the Prince of Persia, who has failed the test of the riddles. As the guards push back the excited people, a blind old man falls, and is helped up by his companion, a young girl. A young man comes to help them and recognizes the blind man as the exiled King Timur of Tartary. He reveals himself as Timur’s son Calaf, who was separated from his father after the loss of their kingdom. Timur’s companion is Liù, a former slave, who has cared for him since their exile. It becomes clear that Liù cares deeply for Calaf.
The Prince of Persia is led in by the servants of the executioner. Turandot arrives to confirm the Prince’s death. Calaf is horrified, but, as soon as he sees the Princess, is captivated by her beauty. Despite the warnings of the ministers Ping, Pong and Pang, he vows to win Turandot himself. Liù implores him to leave with her and Timur. Calaf tries to console her but remains determined, and strikes the gong to signal his intention to woo the Princess.
Ping, Pong and Pang complain about the endless executions caused by Turandot’s obstinacy. Each longs to leave Peking for the peace of his country home.
Wise men arrive holding the scrolls containing the answers to Turandot’s riddles. Calaf, calling himself the ‘Unknown Prince’, is brought before Turandot’s father, the Emperor Altoum. The Emperor begs the ‘Unknown Prince’ to leave, and explains how he must die if he fails to answer Turandot’s riddles correctly. Calaf remains obstinate.
Turandot arrives for the test of the riddles. She explains the reason for her cruelty. Many centuries before, her ancestress Princess Lo-u-Ling was raped and killed by an invader. Turandot sees herself as the reincarnation of Lo-u-Ling and has therefore vowed that no one will possess her. The riddles are her one concession. She reminds Calaf that their outcome has so far always been death. Calaf insists on attempting to solve the riddles. Turandot asks him: what is the ghost which all the world invokes and is constantly renewed; what flickers like a flame when a man dreams of conquest; what is frost that burns, that makes a king of the one it accepts as a slave? Encouraged by the crowd, Calaf correctly answers: Hope! Blood! Turandot! Turandot is now his. But Calaf does not wish the Princess to give herself to him unwillingly, and therefore proposes another test. Turandot does not know his name – if she can discover it during the night, he is prepared to die at dawn. If not, he will possess her.
Calaf awaits dawn, while the voices of heralds announce that no one in Peking shall sleep until the name of the ‘Unknown Prince’ has been discovered. Calaf is confident that he will win Turandot. Ping, Pong and Pang attempt to get him to leave, offering him beautiful women, riches and glory if he renounces Turandot. Calaf remains firm, to the annoyance of the ministers and the rage of the crowd, who begin to threaten him.
Timur and Liù have been discovered and are dragged in. They were seen with Calaf the day before and are suspected of knowing his name. Turandot is summoned, and orders Liù to be tortured until she reveals the identity of the ‘Unknown Prince’. Liù explains to Turandot that she can bear the torture due to her love of the stranger. Still refusing to reveal his name, she kills herself. Timur and the crowd lament her death and carry her body away.
Calaf and Turandot are left alone, and Calaf accuses Turandot of inhumanity. To begin with, she is cold and unyielding, but finally she succumbs to Calaf’s embrace. Still not wishing Turandot to marry him unwillingly, Calaf tells her his name and places himself in her power. Turandot summons the Emperor and people, and proudly declares that she now knows the name of the foreigner. It is Love, she states. As Calaf and Turandot embrace, the crowd rejoices.
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