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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Tosca

Cast sheet

Sunday 8 December 2024

|

2pm

Melodramma in three Acts
The 558th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Opera House Principal Julia Rausing Trust

With the generous support of Aline Floriel-Destezet Season Principal

Generous philanthropic support from  Aud Jebsen, Sandra and Anthony Gutman, Alan and Caroline Howard and Ms Shawn M Donnelley and Professor Christopher M Kelly

Production generously supported by Rolex

Approximate timings

The performance lasts approximately 3 hours, including two intervals
Act I
50 minutes
Interval
25 minutes
Act II
45 minutes
Interval
25 minutes
Act III
35 minutes
Credits

Music

Giacomo Puccini

Libretto

Giuseppe Giacosa, Luigi Illica

Conductor

Eun Sun Kim

Director

Jonathan Kent

Designer

Paul Brown

Lighting designer

Mark Henderson

Cast

Floria Tosca

Natalya Romaniw

replaces Sonya Yoncheva

Mario Cavaradossi

SeokJong Baek

Baron Scarpia

Gerald Finley

replaces Bryn Terfel

Spoletta

Aled Hall

Cesare Angelotti

Ossian Huskinson

Sacristan

Maurizio Muraro

Sciarrone

Jamie Woollard

Gaoler

John Morrissey

Young Shepherd

Holly Keefe

Actors

Harold Addo, Rain de Rye Barrett, Peter Benton, Barry Callan, Peter Cooney, Kris Dillon, Dana Myzer, Laurence Pasqualini, Jason Sabin, Daniel Swan

Ossian Huskinson and Jamie Woollard are Jette Parker Artists
Bryn Terfel has withdrawn from today's performance of Tosca due to a chest infection. The role of Baron Scarpia will be performed by Gerald Finley.
Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Sopranos

Janet Fairlie, Celeste Gattai, Shafali Jalota, Vanessa Woodfine

Mezzo-sopranos

Maria Brown, Siobhain Gibson, Clare McCaldin, Hyacinth Nicholls, Jennifer Westwood

Tenors

Russell Ablewhite, Simon Biazeck, Elliot Goldie, Richard Reaville, Henry Strutt

Basses

Oliver Gibbs, Gavin Horsley, Simon Preece

Children’s chorus

Trinity School

Musical Director of Trinity School

Nicholas Mulroy

Production credits

Music preparation

Christopher Willis, Susanna Stranders, Mark Packwood, Nicholas Ansdell-Evans, José Salazar, Christopher Hopkins

Assistant Director

Alicia Frost

Language Coach

Alessandra Fasolo

José Salazar is a Jette Parker Artist

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

Cesare Angelotti, a Consul of the former Roman Republic, has escaped prison and seeks refuge in the Church of Sant’...

ACT I

Cesare Angelotti, a Consul of the former Roman Republic, has escaped prison and seeks refuge in the Church of Sant’Andrea della Valle. The painter Mario Cavaradossi, a Republican sympathizer working in the church, promises to help him. Angelotti hides as Cavaradossi’s lover Floria Tosca arrives. The lovers’ meeting reveals Tosca’s passionate love and jealousy. When Tosca has gone, Cavaradossi instructs Angelotti to dress in the disguise left for him, and hide at Cavaradossi’s villa. Chief of Police Baron Scarpia arrives at the church. He suspects Cavaradossi of hiding Angelotti. When Tosca returns, Scarpia uses a fan left by Angelotti to make her believe that Cavaradossi is having an affair. Tosca leaves for Cavaradossi’s villa, and Scarpia instructs his assistant Spoletta to follow her and track down Angelotti.

INTERVAL
ACT II

Scarpia has arrested Cavaradossi. He summons Tosca to his apartment, and forces her to listen as Cavaradossi is tortured in the next room. Tosca reveals Angelotti’s hiding place. Scarpia condemns Cavaradossi to death but tells Tosca that he will free her lover if she will offer herself to him. In agony, Tosca agrees and Scarpia tells her he will arrange a mock execution. As Scarpia embraces Tosca, she fatally stabs him.

INTERVAL
ACT III

As dawn approaches, Cavaradossi waits for his execution at the top of the Castel Sant’Angelo. Tosca arrives and tells him what she has done. She instructs him on how to pretend to die in the mock execution. When the soldiers shoot, Tosca is impressed with her lover’s acting. But Scarpia has double-crossed her and Cavaradossi really is dead. As Spoletta’s men arrive to arrest her for Scarpia’s murder, she leaps from the battlements to her death.

Guidance

Suitable for ages 12+
This production contains depictions of violence, sexual assault, implied torture and suicide. There are gunshots in Act III.

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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