Ruination
Cast sheet
Saturday 7 December 2024
|
2.30pm
Generous philanthropic support from the Paul Hamlyn Education Fund
This performance is British Sign Language interpreted, Captioned and Relaxed.
Approximate timings
Director
Ben Duke
Musical Director
Yshani Perinpanayagam
Designer
Soutra Gilmour
Lighting designer
Jackie Shemesh
Video designer
Hayley Egan
Sound designer
Jethro Cooke
Dramaturg
Raquel Meseguer Zafe
Relighter
Catherine James
Assistant Choreographer
Winifred Burnet-Smith
Rehearsal Director
Hannes Langolf
Intimacy Director
Ita O'Brien
Original Assistant Director
Andreea Paduraru
Hades
Jean Daniel Broussé
Jason
Liam Francis
Persephone
Anna-Kay Gayle
Musician - Pianist
Yshani Perinpanayagam
Medea
Hannah Shepherd
Musician - Singer
Keith Pun
Aeetes
Miguel Altunaga
Glauce/Absyrtus
Maya Carroll
Musician - Singer
Sheree Dubois
British Sign Language Interpreter
Katie Fenwick
British Sign Language Consultant
Deepa Shastri
Artistic Director
Ben Duke
Executive Producer
Daisy Drury
Producer
Emma Evans
Director
Kevin O’Hare CBE
Administrative Director
Heather Baxter
Creative Producer
Emma Southworth
Producers
Julia Gillespie, Hannah Mayhew and Rhiannon Savell
Administrative Producer
Ania Kapsza
Linbury Technical Manager
Thomas Thompson
Assistant Linbury Technical Manager
Nick Manning
Production Manager (Ruination)
Jenny Wheeler
Stage Manager (Ruination)
Amy Steadman
Deputy Stage Manager (Ruination)
Hannah Gillett
Track list
Prelude in C-sharp minor, op. 3 no. 2, Sergei Rachmaninoff
Carmina Burana, Carl Orff
Piano Stud...
Prelude in C-sharp minor, op. 3 no. 2, Sergei Rachmaninoff
Carmina Burana, Carl Orff
Piano Study in Mixed Accents, Ruth Crawford
Ointment Scene Music, Yshani Perinpanayagam
What Power Art Thou? (“Cold Song”) from King Arthur, Henry Purcell
Sposa son disprezzata, Germiniano Giacomelli
Just a Gigolo, Louis Prima
You Don’t Know How Lucky You Are, Keaton Henson
Clapping Music, Steve Reich
Prelude op. 28 no. 4, Frédéric Chopin
Stay with Me, Jerry Ragovoy / George David Weiss. Performed by Lorraine Ellison
Cara Sposa, George Frideric Handel
Mack the Knife, Kurt Weill. Performed by Bobby Darin
Pyramid Song, Radiohead
Isn’t it a Pity?, George Harrison arr. Nina Simone
Guidance
Further information
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)