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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Recitals at Lunch

Cast sheet

Monday 18 November 2024

|

1pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

The Jette Parker Artists Programme is generously supported by Oak Foundation

Approximate timings

The performance will last approximately 45–50 minutes
JETTE PARKER ARTISTS PROGRAMME

Head of Programme

Elaine Kidd

Artistic Director

David Gowland

Administrative, Company and Events Manager

Thomas Marshall

Producer

Catherine Chibnall

Senior Project Co-Ordinator and Access Lead

Elliott Henry

Administrative Assistant and Project Co-ordinator

Isobel Lawson

Cast

Mezzo-soprano

Veena Akama-Makia

Piano

Richard Fu

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

–  Mein Lied ertönt – from Zigeunermelodien No.55 by Antonín Dvořák 1841–1904

 

– Anakreons Grab – from Goethe...

–  Mein Lied ertönt – from Zigeunermelodien No.55 by Antonín Dvořák 1841–1904

 

– Anakreons Grab – from Goethe-Lieder No.9 by Hugo Wolf 1860–1903

 

– Rings ist der Wald so stumm und still – from Zigeunermelodien No.55 by Antonín Dvořák

 

– Die Verlassene – from Italienisches Liederbuch, No. 15 by Joseph Marx 1882–1964

 

– Bewilderment – from 44 Art Songs and Spirituals by Florence Price 1887–1953

 

– Night – from 44 Art Songs and Spirituals by Florence Price

 

– Night Song – from Night Song by H. Leslie Adams 1932–2024

 

– Nana – from Canciones populares españolas No.5 by Manuel de Falla 1876–1946

 

– La Maja Dolorosa No.1 – from Tonadillas by Enrique Granados 1867–1916

 

– La Maja Dolorosa No.2 – from Tonadillas by Enrique Granados

 

– Asturiana  – from Canciones populares españolas No.3 by Manuel de Falla 1876 –1946

 

– For You There Is No Song – from Five Millay Songs by H. Leslie Adams

 

– Branch by Branch – from Five Millay Songs by H. Leslie Adams

 

– Amazing Grace – from Night Song by H. Leslie Adams

 

– Love Let the Wind Cry...How I Adore Thee by Undine Smith Moore 1904–1989

 

Guidance

Suitable for ages 14+
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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