Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
With the generous support of Aline Foriel-Destezet Season Principal
Generous philanthropic support from The Jean Sainsbury Royal Opera House Fund, Lindsay and Sarah Tomlinson, Royal Ballet and Opera Friends and an anonymous donor
The 2024/25 Royal Ballet Season is generously supported by Aud Jebsen
The role of Onegin is generously supported by Ida Levine
The role of Tatiana is generously supported by Sue Butcher and Stuart and Jill Steele
The role of Lensky is generously supported by Rachel Stearns
Choreography
John Cranko
Music
Kurt-Heinz Stolze after Pyotr Il’yich Tchaikovsky
published by Adrian Thomé Musikverlag, Bodensee
Conductor
Wolfgang Heinz
Designer
Jürgen Rose
after original 1967 designs for Stuttgart Ballet
Lighting designer
Steen Bjarke
Artistic Supervision and Copyright
Reid Anderson-Graefe
Staging
Jane Bourne
Senior Répétiteur
Gary Avis
Répétiteur
Sian Murphy
Principal Coaching
Alexander Agadzhanov, Stuart Cassidy, Alessandra Ferri, Jillian Vanstone
Senior Benesh Choreologist and Assistant Répétiteur
Gregory Mislin
Eugene Onegin
Reece Clarke
Lensky
Onegin’s friend
William Bracewell
Madame Larina
A widow
Elizabeth McGorian
Tatiana
Madame Larina's elder daughter
Marianela Nuñez
Olga
Madame Larina's younger daughter
Akane Takada
Nurse
Lara Turk
Prince Gremin
A friend of the Larina family
Lukas Bjørneboe Brændsrød
Relatives, countryfolk, members of the nobility
Artists of The Royal Ballet
Orchestra
Orchestra of the Royal Opera House
Principal Guest Concert Master
by arrangement with Trittico
Vasko Vassilev
Director
Kevin O’Hare CBE
Music Director
Koen Kessels
Resident Choreographer
Sir Wayne McGregor CBE
Artistic Associate
Christopher Wheeldon OBE
Administrative Director
Heather Baxter
Rehearsal Director
Christopher Saunders
Clinical Director Ballet Healthcare
Shane Kelly
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday fes...
Scene 1: Madame Larina’s garden
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future. Girls from the neighbourhood arrive and play an old folk game: whoever looks into the mirror will see her beloved.
Lensky, a young poet engaged to Olga, arrives with a friend from St Petersburg.
He introduces Eugene Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin on the other hand sees only a coltish girl who reads too many romantic novels.
Scene 2: Tatiana’s bedroom
Tatiana, her imagination aflame with impetuous first love, dreams of Onegin and writes him a passionate love letter, which she gives to the nurse to deliver.
Scene 1: Tatiana’s birthday
The provincial gentry have come out to celebrate Tatiana’s birthday. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil; furthermore, he is irritated by Tatiana’s letter, which he regards merely as an outburst of adolescent love. In a quiet moment he seeks out Tatiana and, telling her that he cannot love her, tears up her letter. Instead of awakening pity, Tatiana’s distress only increases his irritation. Prince Gremin, a distant relative, appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match; but Tatiana, troubled by her own heart, hardly notices her kind relative.
Onegin, in his , decides to provoke Lensky by flirting with Olga, who lightheartedly joins in the teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.
Scene 2: The duel
Tatiana and Olga try to reason with Lensky, but his high romantic ideals have been shattered by the betrayal of his friend and the fickleness of his beloved; he insists that the duel take place. Onegin kills his friend.
Scene 1: St Petersburg
Years later, Onegin, having travelled the world in an attempt to escape from his own sense of futility, returns to St Petersburg. He is received at a ball in the palace of Prince Gremin, who has now married. Onegin is astonished to recognize in the stately and elegant Princess Tatiana, the uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him; his life seems even more aimless and empty.
Scene 2: Tatiana’s boudoir
Onegin has written to Tatiana, revealing his love and asking to see her, but she does not wish to meet him. She pleads in vain with her unsuspecting husband not to leave her alone this evening. Onegin comes and declares his love for her. In spite of her emotional turmoil, Tatiana realizes that Onegin’s change of heart has come too late. Before his eyes, she tears up his letter and orders him to leave her forever.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.
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If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)