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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

La bohème

Cast sheet

Tuesday 14 January 2025

|

7.30pm

OPERA IN FOUR ACTS
The 711th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

With the generous support of Aline Foriel-Destezet Season Principal

Young RBO is generously made possible by Sir Lloyd and Lady Dorfman OBE, The Bunting Family, Sir Simon and Lady Robey, The John Browne Charitable Trust and The Laidlaw Opera Trust

Approximate timings

The performance lasts approximately 2 hours 35 minutes, including one interval
Act I
40 minutes
Act II
20 minutes
Interval
30 minutes
Act III
30 minutes
Act IV
35 minutes
Credits

Music

Giacomo Puccini

Libretto

after Henri Murger’s novel Scènes de la vie de Bohème

Giuseppe Giacosa, Luigi Illica

Conductor

Speranza Scappucci

Director

Richard Jones

Revival Director

Ben Mills

Designer

Stewart Laing

Lighting designer

Mimi Jordan Sherin

Movement director

Sarah Fahie

Revival Movement Director

Danielle Urbas

Cast

Mimì

Olga Kulchynska

Rodolfo

Stefan Pop

Marcello

Mikhail Timoshenko

Musetta

Simona Mihai

Schaunard

Jolyon Loy

Colline

Aleksei Kulagin

Benoît

Eddie Wade

Alcindoro

Wyn Pencarreg

Parpignol

Andrew Macnair

Customs Officer

John Morrissey

Sergeant

Thomas Barnard

Solo Voices

Madeleine Mitchell, Renata Skarelyte, Olle Zetterström, Dawid Kimberg, Luke Price

Actors

Sophie Bradley, Paul Dennison, Jamie Francis, Nicholas Frentz, Richard Gittins, Anthony Kurt-Gabel, Andrew Leishman, Davy Quistin, Dana Rogers, Sebastian Rose, Addis Williams, Timo Willman

Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Associate Concert Master

Melissa Carstairs

Extra Chorus

Sopranos

Celeste Gattai, Alison Rayner, Anna Samant, Rosalind Waters

Mezzo-sopranos

Tamsin Dalley, Maria Jones, Dervla Ramsay, Jennifer Westwood

Tenors

Jonathan English. Russell Ablewhite, Andrew Friedhoff, Elliot Goldie, Andrew Mackenzie-Wicks

Basses

James Birchall, Gavin Horsley, Simon Preece, Jonathan Wood

Children’s Chorus

Cardinal Vaughan School, Greycoat School

Cardinal Vaughan School Music Director

Scott Price

Greycoat School Music Director

Katy Ambrose

Production credits

Music preparation

Patrick Milne, Peggy Wu, Mark Packwood, Catriona Beveridge, William Spaulding

Assistant Director

Cecilia Stinton

Language Coach

Valeria Racco

Peggy Wu is a Jette Parker Artist

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chai...

The opera is set in Paris

 

ACT I

AN ATTIC IN THE LATIN QUARTER, CHRISTMAS EVE

 

Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chair, but Rodolfo offers the manuscript of the play he is writing. Colline arrives and the remaining acts of the play are burnt.

 

Schaunard arrives with wood, food and wine. He explains that an Englishman engaged him to play his violin to hasten the death of a parrot. The friends decide to go and eat in the Latin Quarter but are interrupted by Benoît, their landlord, who has come for the rent. They ply him with wine and Benoît boasts of his sexual prowess. The bohemians pretend outrage at Benoît’s immorality and push him out.

 

Marcello, Colline and Schaunard head to Café Momus, leaving Rodolfo behind to finish an article. There is a knock at the door. It is a girl who asks for a light for her candle. She feels faint from climbing the stairs. As she is leaving her candle flickers out again and she realizes that she has lost her key. Rodolfo’s candle also goes out and they search for her key in the moonlight. Rodolfo takes the girl’s icy hand and tells her of his life as a poet. The girl tells him her name, Mimì, and describes her simple life as a flower embroiderer. Schaunard, Colline and Marcello shout up to Rodolfo to hurry. Mimì asks if she may join them at the Café Momus. Rodolfo suggests they might stay in, but eventually they leave together singing of their love.

 

ACT II

THE LATIN QUARTER

 

Rodolfo and Mimì wander through the Christmas Eve crowds. Rodolfo introduces Mimì to his friends. When Mimì shows her new friends the bonnet Rodolfo has brought her, Marcello expresses cynicism about romance.

 

As they propose a toast, Marcello’s ex-girlfriend Musetta appears, accompanied by Alcindoro, her rich admirer. Agitated at being ignored by Marcello, Musetta launches into a song – to provoke and seduce him. She complains of a painful foot and dispatches Alcindoro to buy new shoes. The bill for supper arrives, but the bohemians have already spent their money. Musetta places their bill on Alcindoro’s plate. A marching band arrives, and the bohemians leave with Musetta. Alcindoro returns and is presented with the bill.

 

INTERVAL

 

ACT III

OUTSIDE THE BARRIÈRE D’ENFER

 

Workers arrive from out of town to enter the city. From inside a tavern comes the voice of Musetta. Mimì enters, ill and racked with coughing. She asks for Marcello. He tells her that he and Musetta are now living at the inn and that Rodolfo turned up in the night. Mimì explains that Rodolfo’s jealousy is destroying their relationship and he wants to leave her. Marcello advises Mimì to go, but she hides nearby.

 

Rodolfo comes out of the tavern and says he will break up with Mimì: her flirting has incensed him. Eventually, however, he reveals the real reason for their separation: she is so ill that his miserable poverty offers her nothing but the prospect of death. They hear Mimì crying and coughing. As Rodolfo hurries to her, Musetta’s laugh is heard and Marcello goes to see what she is doing. Mimì says farewell to Rodolfo and asks him to send on her possessions. She proposes that he keep her bonnet as a memento of their love. Marcello and Musetta quarrel and separate. Rodolfo and Mimì decide to postpone their separation until the spring.

 

ACT IV

THE ATTIC, AUTUMN

 

Marcello and Rodolfo taunt each other about their ex-lovers: Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. They pretend not to miss the girls but then admit that they do. Schaunard and Colline arrive with bread and a herring and the four eat and amuse each other.

 

Suddenly Musetta enters. She has brought Mimì, who is desperately ill: Musetta explains that she met her in the street and that Mimì begged to be taken to Rodolfo. Mimì rallies and greets the friends. Musetta instructs Marcello to sell her earrings to pay for medicine and a doctor. Colline leaves to pawn his coat. Mimì, alone with Rodolfo, expresses her boundless love for him. He shows her the bonnet and they reminisce about their first meeting. The others return with a muff and medicine, promising that a doctor will come. Mimì dies unnnoticed while they are preparing her medicine. Colline arrives with money from the pawnbroker, but it is too late.

Guidance

Suitable for all, subject to House rules
Children under the age of five are not permitted into our theatres. Children over five must have their own ticket and sit next to an accompanying adult.

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

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Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

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