Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
With the generous support of Aline Foriel-Destezet Season Principal
Young RBO is generously made possible by Sir Lloyd and Lady Dorfman OBE, The Bunting Family, Sir Simon and Lady Robey, The John Browne Charitable Trust and The Laidlaw Opera Trust
Music
Giacomo Puccini
Libretto
after Henri Murger’s novel Scènes de la vie de Bohème
Giuseppe Giacosa, Luigi Illica
Conductor
Speranza Scappucci
Director
Richard Jones
Revival Director
Ben Mills
Designer
Stewart Laing
Lighting designer
Mimi Jordan Sherin
Movement director
Sarah Fahie
Revival Movement Director
Danielle Urbas
Mimì
Olga Kulchynska
Rodolfo
Stefan Pop
Marcello
Mikhail Timoshenko
Musetta
Simona Mihai
Schaunard
Josef Jeongmeen Ahn
replaces Jolyon Loy
Colline
Aleksei Kulagin
Benoît
Eddie Wade
Alcindoro
Wyn Pencarreg
Parpignol
Andrew Macnair
Customs Officer
John Morrissey
Sergeant
Thomas Barnard
Solo Voices
Madeleine Mitchell, Renata Skarelyte, John Morrissey, Dawid Kimberg, Luke Price
Actors
Sophie Bradley, Paul Dennison, Jamie Francis, Nicholas Frentz, Richard Gittins, Anthony Kurt-Gabel, Andrew Leishman, Davy Quistin, Dana Rogers, Sebastian Rose, Addis Williams, Timo Willman
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Associate Concert Master
Melissa Carstairs
Sopranos
Celeste Gattai, Alison Rayner, Anna Samant, Rosalind Waters
Mezzo-sopranos
Tamsin Dalley, Maria Jones, Dervla Ramsay, Jennifer Westwood
Tenors
Jonathan English. Russell Ablewhite, Andrew Friedhoff, Elliot Goldie, Andrew Mackenzie-Wicks
Basses
James Birchall, Gavin Horsley, Simon Preece, Jonathan Wood
Children’s Chorus
Cardinal Vaughan School, Greycoat School
Cardinal Vaughan School Music Director
Scott Price
Greycoat School Music Director
Katy Ambrose
Music preparation
Patrick Milne, Peggy Wu, Mark Packwood, Catriona Beveridge, William Spaulding
Assistant Director
Cecilia Stinton
Language Coach
Valeria Racco
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chai...
The opera is set in Paris
AN ATTIC IN THE LATIN QUARTER, CHRISTMAS EVE
Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chair, but Rodolfo offers the manuscript of the play he is writing. Colline arrives and the remaining acts of the play are burnt.
Schaunard arrives with wood, food and wine. He explains that an Englishman engaged him to play his violin to hasten the death of a parrot. The friends decide to go and eat in the Latin Quarter but are interrupted by Benoît, their landlord, who has come for the rent. They ply him with wine and Benoît boasts of his sexual prowess. The bohemians pretend outrage at Benoît’s immorality and push him out.
Marcello, Colline and Schaunard head to Café Momus, leaving Rodolfo behind to finish an article. There is a knock at the door. It is a girl who asks for a light for her candle. She feels faint from climbing the stairs. As she is leaving her candle flickers out again and she realizes that she has lost her key. Rodolfo’s candle also goes out and they search for her key in the moonlight. Rodolfo takes the girl’s icy hand and tells her of his life as a poet. The girl tells him her name, Mimì, and describes her simple life as a flower embroiderer. Schaunard, Colline and Marcello shout up to Rodolfo to hurry. Mimì asks if she may join them at the Café Momus. Rodolfo suggests they might stay in, but eventually they leave together singing of their love.
THE LATIN QUARTER
Rodolfo and Mimì wander through the Christmas Eve crowds. Rodolfo introduces Mimì to his friends. When Mimì shows her new friends the bonnet Rodolfo has brought her, Marcello expresses cynicism about romance.
As they propose a toast, Marcello’s ex-girlfriend Musetta appears, accompanied by Alcindoro, her rich admirer. Agitated at being ignored by Marcello, Musetta launches into a song – to provoke and seduce him. She complains of a painful foot and dispatches Alcindoro to buy new shoes. The bill for supper arrives, but the bohemians have already spent their money. Musetta places their bill on Alcindoro’s plate. A marching band arrives, and the bohemians leave with Musetta. Alcindoro returns and is presented with the bill.
OUTSIDE THE BARRIÈRE D’ENFER
Workers arrive from out of town to enter the city. From inside a tavern comes the voice of Musetta. Mimì enters, ill and racked with coughing. She asks for Marcello. He tells her that he and Musetta are now living at the inn and that Rodolfo turned up in the night. Mimì explains that Rodolfo’s jealousy is destroying their relationship and he wants to leave her. Marcello advises Mimì to go, but she hides nearby.
Rodolfo comes out of the tavern and says he will break up with Mimì: her flirting has incensed him. Eventually, however, he reveals the real reason for their separation: she is so ill that his miserable poverty offers her nothing but the prospect of death. They hear Mimì crying and coughing. As Rodolfo hurries to her, Musetta’s laugh is heard and Marcello goes to see what she is doing. Mimì says farewell to Rodolfo and asks him to send on her possessions. She proposes that he keep her bonnet as a memento of their love. Marcello and Musetta quarrel and separate. Rodolfo and Mimì decide to postpone their separation until the spring.
THE ATTIC, AUTUMN
Marcello and Rodolfo taunt each other about their ex-lovers: Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. They pretend not to miss the girls but then admit that they do. Schaunard and Colline arrive with bread and a herring and the four eat and amuse each other.
Suddenly Musetta enters. She has brought Mimì, who is desperately ill: Musetta explains that she met her in the street and that Mimì begged to be taken to Rodolfo. Mimì rallies and greets the friends. Musetta instructs Marcello to sell her earrings to pay for medicine and a doctor. Colline leaves to pawn his coat. Mimì, alone with Rodolfo, expresses her boundless love for him. He shows her the bonnet and they reminisce about their first meeting. The others return with a muff and medicine, promising that a doctor will come. Mimì dies unnnoticed while they are preparing her medicine. Colline arrives with money from the pawnbroker, but it is too late.
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