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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Il trovatore

DRAMMA IN FOUR PARTS

Cast sheet

Wednesday 26 February 2025

|

7.30pm

The 361st performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from Mick and Lady Barbara Davis

A co-production with Opernhaus Zürich

Approximate timings

The performance lasts approximately 2 hours and 55 minutes, including one interval
Parts I and II
75 minutes
Interval
25 minutes
Parts III and IV
75 minutes
Credits

Music

Giuseppe Verdi

Libretto

(with additions by Leone Emanuele Bardare) after Antonio García Gutiérrez’s play El Trovador

Salvadore Cammarano

Conductor

Giacomo Sagripanti

Director

Adele Thomas

Revival Director

Simon Iorio

Designer

Annemarie Woods

Lighting designer

Franck Evin

Dramaturg

Beate Breidenbach

Choreographer

Emma Woods

Cast

Manrico

Michael Fabiano

Leonora

Rachel Willis-Sørensen

Count di Luna

Aleksei Isaev

Azucena

Agnieszka Rehlis

Ferrando

Riccardo Fassi

Ines

Valentina Puskás

Ruiz

Ryan Vaughan Davies

An Old Gypsy

Dominic Barrand

Messenger

Andrew O'Connor

Dancers

Bruno Aversa, Matthew Cotton, Cameron Everitt, Louis Gladman, Jordan Jewell, Gareth Mole, Daniel Perie

Valentina Puskás and Ryan Vaughan Davies are Jette Parker Artists
Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Extra chorus

Sopranos

Jessica Broad, Celeste Gattai, Kathryn Jenkin, Bernadette Lord, Elizabeth Roberts, Ros Waters, Vanessa Woodfine

Mezzo-sopranos

Jeanette Ager, Maria Brown, Tamsin Dalley, Siobhain Gibson, Maria Jones, Clare McCaldin, Zoe Todd, Jennifer Westwood

Tenors

Andrew Busher, Phillip Bell, Simon Biazeck, Jonathan English, James Geer, Andrew Friedhoff, Henry Strutt

Basses

Oliver Gibbs, Gabriel Gottlieb, Gavin Horsley, Simon Preece, Mark Saberton, Jonathan Wood

Production credits

Music preparation

Andrew Griffiths, Patrick Milne, Peggy Wu, Benjamin Woodward

Assistant Director

Deborah Cohen

Assistant Choreographer

Gareth Mole

Fight Director

Philip D’Orléans

Video Effects

Tieni Burkhalter

Language Coach

Barbara Diana

Peggy Wu is a Jette Parker Artist

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Count di Luna’s officer Ferrando orders his men to watch for the mysterious troubadour who Luna believes is his riv...

PART I: THE DUEL

Scene 1: Count di Luna’s camp

Count di Luna’s officer Ferrando orders his men to watch for the mysterious troubadour who Luna believes is his rival for the love of Leonora. While they wait, Ferrando tells the story of how the Count’s infant brother Garzia mysteriously disappeared. One day, an old gypsy woman was discovered by Garzia’s cradle. The child became sickly soon after, so the gypsy was arrested for witchcraft, and burned at the stake. On the day of the execution Garzia disappeared, and the charred remains of a baby were found in the gypsy’s funeral pyre. The gypsy’s daughter was suspected, but could not be found. Ferrando reminds his men that the old Count di Luna’s last request was for his elder son to find Garzia, whom he believed had survived. Ferrando claims the ghost of the old gypsy woman still roams at night. As midnight chimes, the men disperse.

Scene 2: The palace gardens

Leonora tells her companion Ines about the mysterious man she met before the war. He serenades her each night as her troubadour. Ines suggests it would be safer for Leonora to forget him, but Leonora declares she would rather die.

As Count di Luna searches for Leonora, he hears the voice of the troubadour – Manrico – singing a serenade. Leonora hurries to meet Manrico, and is confronted by Luna. Manrico mistakenly suspects that Leonora has betrayed him. The Count and Manrico agree to fight a duel.

PART II: THE GYPSY

Scene 1: The Gypsy camp

In the gypsy camp, Azucena recalls the horror of her mother’s death, and her vow to avenge her. Azucena tells Manrico about what happened to the old Count di Luna’s younger son: she had intended to burn him on her mother’s funeral pyre, but in her disturbed state of mind killed her own child instead. Manrico asks if this means that he is not Azucena’s son. Azucena feigns confusion, but assures Manrico of her love for him. Manrico tells Azucena about his duel with Luna: he was victorious but felt irresistibly compelled to spare his rival. A Messenger arrives with the news that Leonora, believing Manrico to be dead, is about to become a nun. Manrico determines to find Leonora.

Scene 2: A Convent

Count di Luna is still very much in love with Leonora and plans to kidnap her from the convent. He and his men prepare to strike. Leonora enters with the nuns to take her vows. Before Luna can intervene, Manrico’s men surround him and his soldiers, and Manrico and Leonora escape.

INTERVAL
PART III: THE GYPSY’S SON

Scene 1: The Count’s camp

The Count’s men prepare for the next day’s battle. Ferrando drags in Azucena, who was found wandering near the camp. Azucena pleads her innocence, but Ferrando recognizes her as the suspected murderer of the Count’s infant brother. Luna condemns her to death by fire.

Scene 2: An army camp, commanded by the Count’s Enemies

Leonora and Manrico are about to be married. Leonora is anxious for Manrico’s safety in the forthcoming battle, and he attempts to calm her. Ruiz comes to inform Manrico that Count di Luna has condemned Azucena to be burnt to death. Manrico gathers his men and prepares to attack the Count’s army.

PART IV: THE EXECUTION

Scene 1: Outside Manrico’s prison

Manrico’s attack has failed and now he and Azucena are the Count’s prisoners. Leonora has Ruiz conduct her to where Manrico is being held. The suffering of the prisoners moves her and awakens her courage. Manrico calls to Leonora, bidding her farewell.

Leonora attempts to bargain with Luna, but he wants revenge. At last, he agrees that if Leonora will give herself to him, he will free Manrico. Leonora surreptitiously swallows poison, concealed in a ring, to ensure that she will never be the Count’s mistress.

Scene 2: Manrico’s prison

Azucena is terrified of death, and Manrico soothes her by reminding her of their happy past life in the mountains. Azucena falls asleep. Leonora arrives to free Manrico, but refuses to accompany him. Manrico accuses her of betraying him, and Leonora explains her bargain with the Count, and what she has done to avoid it. She collapses as the Count arrives. As Leonora dies, the Count orders that Manrico be killed at once, and forces Azucena to watch. Azucena begs him to stop and listen to her, but Luna refuses. As Manrico is killed, Azucena announces that Count di Luna has murdered his own brother, and her mother is at last avenged.

Guidance
Suitable for ages 8+
This production contains themes of murder, suicide and reference to an infant death.

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

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