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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Hansel and Gretel

Cast sheet

Tuesday 24 December 2024

|

12.30pm

MÄRCHENSPIEL (FAIRY TALE) IN THREE ACTS
The 88th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exception Philanthropic Support from Royal Ballet and Opera Principal Julia Rausing Trust

The Youth Opera Company is generously supported by Yvonne and Bjarne Rieber

A co-production with San Francisco Opera

Approximate timings

The performance lasts approximately 2 hours 10 minutes, including one interval
Acts I and II
60 minutes
Interval
25 minutes
Act III
45 minutes
Credits

Music

Engelbert Humperdinck

Libretto

Adelheid Wette

Conductor

Giedrė Šlekytė

Director and Designer

Antony McDonald

Lighting designer

Lucy Carter

Movement director

Lucy Burge

Associate set designer

Ricardo Pardo

Translator

Kelley Rourke

Cast

Hansel

Kate Lindsey

Gretel

Heidi Stober

Witch

Carole Wilson

Peter

Thomas Lehman

Gertrud

Catherine Carby

Sandman

Sarah Brady

Dew Fairy

Valentina Puskás

Echo

Valentina Puskás, Veena Akama-Makia, Jingwen Cai, Kiera Lyness, Miranda Westcott

Dancers

Winnie Asawakanjanakit, Alex Gotch, Bianca Hopkins, Dak Mashava, Sally Owen, Audrey Page, Rosie Southall, Sophie Tierney, Jack Thomson, Róisín Whelan

Children

Angel Akerele, Keturah Arusiuka-Hill, Henry Beale, Lucia Campbell, Svyatoslav Colotelo, Fabian Crocker Griffiths, Sophia Cullingford, Abigail Edwards, Jeremiah Emiloju, Lily-Rose Gardillou, Eos Xuxi Groen, Livia Goes Santos, Theo Jimin Oh, Margaret Jin, Mimi Kwei, Raphy Laming, Mireille Larocque, Elodie Dawe Okona-mensah, Phoenix Matthews, Fleur Elisabeth Mauxion, Michal Mroczkowski, Raphael Noman, Damian Ramos, Zakariya Safdar, Timothy Jian Soon, Angelina Vaskela

Valentina Puskás, Veena Akama-Makia and Jingwen Cai are Jette Parker Artists
Orchestra and Chorus

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Children’s Chorus

Youth Opera Company

Production credits

Music preparation

Richard Hetherington, Susanna Stranders, Richard Fu, Hannah Quinn

Assistant Director

Harriet Taylor

Dialect Projection Coach

Catherine Wyn-Rogers

Assistant to the Movement Director

Róisín Whelan

Richard Fu is a Jette Parker Artist

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

Hansel and Gretel are meant to be working, but are bored and hungry. Gretel tells Hansel that their mother has been...

ACT I

 

Hansel and Gretel are meant to be working, but are bored and hungry. Gretel tells Hansel that their mother has been given a jug of milk and will make a rice pudding for supper. Hansel tries to steal the cream and Gretel scolds him. Brother and sister decide to stop work, and have some fun. Their mother Gertrud returns home to find them dancing, and is angry. She accidentally knocks over the jug of milk. Now there is no supper, so Gertrud sends the children out into the forest to find strawberries. Gertrud is exhausted and depressed, and worried about her family’s poverty.

 

The children’s father Peter returns, cheerful after a successful day’s work selling brooms. Gertrud at first suspects he is drunk, but is overjoyed when she sees the vast quantities of food he has purchased. Peter wonders where the children are, and Gertrud explains that she has sent Hansel and Gretel out into the forest. Peter is worried, and tells Gertrud about the terrifying witch who lives there, who lures children into her home to eat them. The parents hurry off to find their children.

 

ACT II

 

Gretel makes a garland of flowers while Hansel gathers strawberries. Hansel crowns Gretel queen of the forest. The children hear a cuckoo and mimic it. They pretend to be cuckoos themselves, and feed each other strawberries until they are all gone. Gretel worries that their mother will be angry with them. She tries to look for more berries, but it is too dark.

 

Hansel and Gretel realize they are lost. The sound of their voices echoing scares them. The tiny Sandman arrives, and soothes the children with a song. Hansel and Gretel become sleepy. They say their evening prayers and fall asleep. Fairy-tale creatures from the forest come to watch over them.

 

INTERVAL

 

ACT III

 

The Dew Fairy arrives to wake up the children. Hansel and Gretel tell each other about their mysterious and marvellous dreams. They now feel ready for anything.

 

Suddenly the children see a house appear as if by magic. It is partly edible, and they can’t resist it. As Hansel and Gretel nibble at the house, they hear a voice, and the Witch emerges. She tells the children that her name is Rosina Leckermaul and invites them in.

 

When Hansel and Gretel try to run away, the Witch stops them with a spell. She traps Hansel, orders Gretel to lay the table and eagerly anticipates her forthcoming meal.

 

The Witch decides that Hansel isn’t fat enough to eat yet and must be fed. While she does this, Gretel steals her magic wand to free Hansel. The Witch asks Gretel to check how her baking is doing. Gretel pretends that she doesn’t know what to do. When the Witch demonstrates, Hansel and Gretel push her into the huge bowl of chocolate mixture.

 

Children who the Witch trapped and blinded appear. Hansel and Gretel restore their sight by touching them, and Hansel frees them using the Witch’s wand. Hansel and Gretel’s parents arrive to find their children safe and happy. The family are overjoyed to be together again, and everyone celebrates.

Guidance

Suitable for all. There are pyrotechnics used throughout. There are loud noises, strobe lighting and flashes in Act III.
Children under the age of five are not permitted into our theatres. Children over five must have their own ticket and sit next to an accompanying adult.

Language

Sung in English with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium. Some performances also include Captions that give more details about the sound.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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For people, not profit.

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