Tickets and Events
Visit us
Stream
News
Learning
Join and support
About
The Royal Ballet
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE

Cinderella

Cast sheet

Wednesday 4 December 2024

|

7.30pm

Ballet in Three Acts
The 451st performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust

Generous philanthropic support from The Paul Ferguson Memorial Fund, Kenneth and Susan Green, Sandra and Anthony Gutman, Charles Holloway OBE and The Royal Opera House Endowment Fund

In memory of George Simon

The 2024/25 Royal Ballet Season generously supported by Aud Jebsen

The role of Cinderella is generously supported by Francesca Storey-Harris in memory of Judy Harris

A co-production between The Royal Ballet and The National Ballet of Canada

Approximate timings

The performance lasts approximately 2 hours and 40 minutes, including two intervals
Act I
45 minutes
Interval
25 minutes
Act II
40 minutes
Interval
25 minutes
Act III
25 minutes
Credits

Choreography

Frederick Ashton

Music

Sergey Prokofiev

Conductor

Jonathan Lo

Set designer

Tom Pye

Costume designer

Alexandra Byrne

Lighting designer

David Finn

Video designer

Finn Ross

Illusions

Chris Fisher

Staging

Gary Avis, Wendy Ellis Somes

Senior Répétiteur

Deirdre Chapman, Samantha Raine, Samira Saidi

Répétiteur

Sian Murphy,

Principal Coaching

Alexander Agadzhanov, Leanne Benjamin, Darcey Bussell, Isabel McMeekan, Laura Morera, Malin Thoors, Christopher Saunders

Benesh Choreologist

Daniel Kraus

Cast

Cinderella

Fumi Kaneko

The Prince

William Bracewell

Cinderella's Step Sisters

Bennet Gartside, James Hay

Cinderella's Father

Thomas Whitehead

The Fairy Godmother

Mayara Magri

Act I Scene 1

The Fairy Godmother in Disguise

Olga Sabadoch

The Dancing Master

Téo Dubreuil

A Tailor

Denilson Almeida

Dressmakers

Hanna Park, Maddison Pritchard

The Shoemaker

James Large

The Hairdresser

Aiden O'Brien

A Jeweller

Harrison Lee

Two Fiddlers

Grace Lee, Ksenia Berezina

Act I Scene 2

The Fairy Spring

Isabella Gasparini

The Fairy Summer

Mariko M. Sasaki

The Fairy Autumn

Meaghan Grace Hinkis

The Fairy Winter

Claire Calvert

Act II

The Jester

Daichi Ikarashi

The Prince's Friends

Leo Dixon, Harry Churches, Benjamin Ella, Lukas Bjørneboe Brændsrød

Suitors

Harris Bell, Liam Boswell

Act III

Dancers

The Company

Junior Associates of The Royal Ballet School appear by kind permission of the Artistic Director, Iain MacKay
Music

Orchestra

Orchestra of the Royal Opera House

Principal Guest Concert Master

by arrangement with TRITTICO

Vasko Vassilev

Director

Kevin O’Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Sir Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

A room in the house of Cinderella’s father Cinderella’s Step-Sisters are highly excited: they have been invited to ...

ACT I

A room in the house of Cinderella’s father

 

A room in the house of Cinderella’s father Cinderella’s Step-Sisters are highly excited: they have been invited to a ball at the palace. Cinderella, however, must stay at home, where all day long she is made to sweep, clean and polish. Alone for a moment, Cinderella recalls the happy days when her mother was still alive. Her father misses those times too, but is afraid of his bad-tempered step-daughters, who scold him angrily when he tries to comfort Cinderella.

 

A mysterious woman appears and asks for help. The step-sisters drive her away, but Cinderella offers her some bread. The woman casts a gentle look at Cinderella and disappears.

 

Tradespeople arrive, and dressmakers, a hairdresser and a jeweller help the Step-Sisters to prepare for the ball. With their dancing-master, they practise the gavotte. Cinderella’s father and Step-Sisters set out for the ball, and she is left sad and alone.

The mysterious woman reappears and reveals herself as Cinderella’s Fairy Godmother. She summons the fairies of Spring, Summer, Autumn and Winter who each offers Cinderella their season’s gifts. Far away from her grey, everyday existence, Cinderella is taken to an enchanted realm of beauty and fantasy high up among the stars.

 

As a reward for her kindness, Cinderella shall go to the ball. The Fairy Godmother warns her that she must leave before the clock strikes midnight, or all the magic charms will fade away. Escorted by the Seasons and the Stars, Cinderella rides away to the ball.

 

ACT II

The palace

 

The court jester is waiting for the ball to begin. The guests arrive, including Cinderella’s father and Step-Sisters. A fanfare heralds the entrance of the Prince. Cinderella arrives in her magical pumpkin coach, so beautiful that everyone takes her for a princess; even her Step-Sisters fail to recognize her. The Prince is charmed by her beauty, and offers her oranges, the rarest fruit in his realm. The guests disperse and the Prince and Cinderella, left alone, declare their love for each other. The waltz resumes and, caught up in the dance, Cinderella forgets the Fairy Godmother’s warning. Suddenly she hears the clock strike twelve and rushes from the palace, losing one of her slippers on the stairs. Dismayed, the Prince picks up the slipper and vows he will find the young woman he loves.

 

ACT III

After the ball

 

Cinderella finds herself once again at the fireside, wondering if it were all a dream. The elegant slipper in her apron convinces her that she really was in the palace garden and had danced with the Prince. The Step-Sisters arrive home and boast to Cinderella about their conquests at the ball.

 

The Prince appears, searching for the young woman who lost the slipper. Both the Step-Sisters try to cram their feet into the delicate slipper. Cinderella kneels to help and the second slipper falls out of her pocket. The Prince immediately recognizes in the modest Cinderella the beautiful princess from the ball.

 

The Fairy Godmother appears. The lovers are united and walk away into the golden light of happiness.

 

Guidance

Suitable for all, subject to house rules
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.

Language

Some performances also include Captions that give more details about the sound.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you. Mobile phones should be turned off and stored away safely during performances.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

Sign up now to our newsletter to get our latest news, offers and alerts

Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)